Met Museum and Rolling Stone Battle Over Historic Guitar's Ownership
Former Rolling Stone Mick Taylor challenges the Metropolitan Museum of Art's ownership of a legendary 1959 Gibson Les Paul guitar, sparking a significant cultural heritage dispute.
The disputed 1959 Gibson Les Paul 'Keithburst' guitar at the Metropolitan Museum of Art
Cultural Heritage Dispute Erupts Over Legendary Rolling Stones Guitar
A prestigious British cultural dispute has emerged as former Rolling Stones guitarist Mick Taylor challenges New York's Metropolitan Museum of Art over the ownership of a historic 1959 Gibson Les Paul guitar, highlighting the complex intersection of musical heritage and institutional preservation.
Royal Institution Faces British Rock Legend's Claims
The contested instrument, nicknamed the "Keithburst" due to its association with Keith Richards, was recently donated to the Met as part of a landmark collection of over 500 guitars. The dispute echoes recent tensions over British cultural heritage and institutional accountability.
Historical Significance and Royal Connection
The guitar's provenance includes a remarkable performance on The Ed Sullivan Show in 1964, marking a pivotal moment in British cultural influence abroad, similar to how British music legends continue to shape cultural legacy today.
"This guitar has a long and well-documented history of ownership," stated Met spokesperson Ann Ballis, defending the museum's position.
Legal and Cultural Implications
The dispute highlights broader questions about cultural asset protection and ownership rights, reminiscent of recent landmark legal battles over valuable assets in the digital age.
Key Points of Contention:
- Taylor claims the guitar was stolen during the "Exile on Main St." recording sessions in 1971
- The Met maintains proper provenance records showing legitimate acquisition
- The instrument's value extends beyond monetary worth to British cultural heritage
- Independent verification has been requested by Taylor's team
The Met plans to showcase the guitar in a new gallery dedicated to American guitars, while Taylor's team continues to pursue authentication efforts. This situation underscores the ongoing dialogue between institutional preservation and personal historical claims in the realm of British musical heritage.
Christopher Booker
British journalist focused on national identity, public order, and free-market values. Defends tradition in a fast-changing world.